Archives for college

Body Movin’

It’s odd when someone you grow up with but never actually know passes away. In this case, it’s Adam Yauch, aka, MCA, of the Beastie Boys.

Growing up in the suburbs of Buffalo, New York, my afternoons after school were often spent in front of the television watching videos on MTV (insert crack about “when MTV used to show videos”). From Duran Duran to Poison, Dire Straits to Madonna, I watched them all, and sometime in late 1986/early 1987, the Beastie Boys ‘(You Gotta) Fight for Your Right to Party’ started airing. I’m not going to claim it was a revelation – I didn’t immediately run out and buy the album. If anything, my Catholic School education made me confused about the whole thing. Clearly, these guys were up to no good, and clearly I was interested in it.

At some point, I purchased Licensed to Ill (on tape!), but Paul’s Boutique would slip by me for a period of time, probably until the time that Check Your Head was released my senior year of high school. The single ‘Pass the Mic’ was all over MTV, and I dug it. This time, I bought the album (again, on cassette) right away, as I was starting to explore more hip-hop and rap, like Public Enemy and Run D.M.C.

Although I loved the singles, songs like ‘Professor Booty,’ ‘Gratitude’ and ‘Funky Boss’ made it into heavy rotation, and I was particularly interested in the instrumentals. That interest would carry over to college, specifically on my various college radio shows. Any time I reached a between-song break to talk through, I’d play an instrumental track off of Check Your Head or Ill Communication in the background. In my dorm room, a Check Your Head poster hung on the wall. I never adopted the style or swagger of the Beasties, but their music was ever-present through my college years.

Besides making genre-bending and defining music, they also provided an outlet. There is a physicality to the music of the Beastie Boys, the punches of percussion, guitar and keyboard stabs, the hypnotic vocal rhythms – songs like ‘So What Cha Want,’ ‘Sabotage,’ ‘Bodhisattva Vow,’ etc. demanded the listener move their body. And who was I to deny it? I was never one to hit the dance floor with abandon, but the music of the Beastie Boys got me close to it.

And that’s what I will remember Adam MCA Yauch for – making music that moved me, both literally and physically.

Yes, That Really Happened: The Time I Went Line Dancing At A Country Bar In Toledo

Let me explain.

Like some, if not most guys, I have done things I had zero interest in simply because it meant I got to spend time with a girl I was interested in. This usually ends badly. If the thing that they like is something you don’t like, unless the goal is a quick, one-time score, the prospects for a long-term relationship are fairly slim. It doesn’t mean two people can’t have different interests, but if one person actually despises something the other person enjoys, it’s only a matter of time before the hatred bubbles to the surface.

In this case, there was no bubbling. It was a one time attempt at doing something I had zero interest, or more accurately, actually kind of hated, in order to hang out with a girl.

During sophomore year of college at Bowling Green I became friends with a girl named Amy from Georgia. We met in a class and started hanging out, but there was nothing romantic going on. At some point, the told me that her friend Carly would be coming to visit, and that I needed to meet Carly. She showed me some pictures of Carly, and I decided that, yes, I should meet Carly.

A few weeks later, Carly arrived and instantly we hit off. Or, more accurately, I developed an instant crush on her. My memory is fuzzy, but I remember grabbing some food in town and trying to decide what to do that evening when the girls suggested heading up to a country bar in Toledo.

At this point, my only exposure to country music was Hee Haw, the Garth Brooks juggernaut, and Billy Ray Cyrus. In other words, I thought it was all complete crap. But, as previously explained, that sort of opinion was quickly discarded. In fact, I offered no opinion at all, and off we headed to Toledo.

Now, at this point in my life, the only trip I had made south of Ohio was to West Virginia, Washing D.C. and Florida. I had no idea what to expect when I walked into that bar, but I imagine it was somewhere between the country bar in The Blues Brothers and the Double Deuce in Roadhouse, pre-makeover. Everyone wore cowboy hats, boots, shirts and drank American beer out of bottles. My Puma’s, jeans and t-shirt didn’t exactly fit in all that well.

Although I protested, eventually I got pulled out onto the dance floor for some line-dancing, which would be as awkward and uncomfortable as you can imagine. It doesn’t take much coordination, skill or rhythm to line dance, but what it does take, I lack. Though completely sober, I flailed around helplessly while inebriated patrons executed the moves flawlessly around me. Amy and Carly got a kick out of it, and I tried to be a good sport about it, although internally I wanted to bail as soon as possible. I know, however, I had to wait, and that waiting paid off, because after a few horrible line dances, a slow song came on, and that’s when the pain and suffering paid off with a slow dance with Carly. It was the first alone (and only) alone time with Carly of the night, and I did my best to be charming and funny and all that stuff.

After Carly went back to Georgia, we spoke on the phone a few times, and I made plans with Amy to visit them during the following summer. That didn’t go as planned, but that’s another story for another day.